Hido is friendly, amiable, and possesses a rare charisma that immediately puts one at ease. Oh, I would say it kind of fits that mode. Interview, The Art Issue. Todd Hido is one of the most respected American photographers of his generation. After that, be prepared with a plan of how you’re going to make the picture. Some effortlessly occur, and some are thoroughly belabored, and one approach isn’t necessarily better than the others. Will you walk us through the process a bit, and talk about how and why you ended up with the result that pleases you? Do you feel there’s a distinct difference between photographing landscapes and setting up a shot as a kind of tableau, or is the process more alike than different? His very unique color palette and serious study of suburban America formed the basis of later travels to the desolate landscapes of America. In all my pictures of people or places I see something of myself…it is no mystery that we can only photograph effectively what we are truly interested in or—maybe more importantly—are grappling with. “Todd Hido’s unmistakable CREDO,” QVEST No.58, Fall, pg. Hido is the curator of the ONWARD Compé '12 Exhibition. The exterior of a home at night could in some ways be considered to be a portrait of those people who inhabit it. ... and the Smithsonian to name a few. I realize collages are about spontaneity. They have evolved greatly, and it’s been by need. Something I found exciting is that I would make things that looked like I didn’t make them, which was fun. Interview with San Francisco-Based Photographer Todd Hido San Francisco-based photographer Todd Hido explores urban and suburban housing across the USA, producing large, highly detailed and luminous colour photographs influenced by iconic 20th century film makers and documentary photographers such as Alfred Hitchcock, Walker Evans and Nan Goldin. Todd Hido at Kadist Art Foundation; Interview with Todd Hido – Ahorn Magazine, Issue 6 'Working in the Vicinity of Narrative: Todd Hido and Darius Himes' from School of Visual Arts. Here are the thoughts and images he shared with us. The main subject of his work is the quality of natural and artificial light in the American landscape, as in reflected sunrays or the illumination of a television pouring from an anonymous window. Photography, embroidery, philosophy and sculpture interweave in this delicately beautiful series of landscapes of the Swiss mountains. Because I’d done two night photography books and then my next book was something where I challenged myself to focus on landscapes during the daytime, because I didn’t want to get pigeon-holed into being the night photography guy. You could either go with whatever it is they’re wearing if you’re bound to reality, but if you’re not, it’s very good to have the person bring several different things to wear because having the right clothing makes a tremendous difference. —From a conversation between Todd Hido and LensCulture Editor-in-Chief, Jim Casper. Todd Hido: I definitely remember one day driving up a hill to a suburban neighborhood in the south of San Francisco and I found this completely fogbound neighborhood that very much reminded me of the place I grew up in Ohio. Cinematic structure, suburbia, Raymond Carver novels, ink-jet printers, Kodak film, and Lightroom: these are just a few of the dozens of topics photographer Todd Hido discussed throughout his two-day workshop, during which he presented personal influences, shared knowledge concerning photography as both fine art and a career, and explained his evolution as an artist. If so, why? When it came time to doing Excerpts from Silver Meadows, I was at a place where I had formed enough of a sophistication with sequencing and editing that I was ready to let it out, because I’ve always been a person that arranges pictures.

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