Sonny Assu - Re-Invaders: Digital Intervention on an Emily Carr Painting (Indian Church, 1929) This work is from a group of prints Assu made called “Interventions on the Imaginary.” In the series, Assu layers West Coast formlines on reproductions of famous Canadian artworks as a … ... Sonny Assu is known for Painting, collage. By Sonny Assu. Sonny Assu (Ligwilda’xw of the Kwakwaka'wakw Nations) has been recognized for his mashups of Indigenous iconography and popular culture. In this work of art by Sonny Assu, called Breakfast Series, we are initially confronted by the familiar colorful cereal boxes of our youth, luring us with their smiling animal mascots promoting sugar-laden cereals. Montreal, QC H2S 2L7. Breakfast Series, 2006, Sonny Assu (Gwa’gwa’da’ka), Kwakwaka’wakw, Laich-kwil-tach, Wei Wai Kai, born 1975, five boxes digitally printed with Fome-cor, 12 x 7 x 3 in. Assu is a Status Card–carrying Northwest Coast Indian and his perspectives are strongly informed by his family history and his identity. Paint | Sculpt | Digital | Installation sonnyassu.com Living in unceded Liǥwildaʼx̱w Territory Further Biographical Context for Sonny Assu. Sonny Assu (born 1975 in Richmond, British Columbia) is a Ligwilda'xw Kwakwaka'wakw contemporary artist. Having been raised as you “everyday average suburban white-kid” it wasn’t until he was eight years old that he discovered his Kwakwaka’wakw heritage. He addresses the ways in which traditions of the past have come to inform contemporary ideas and identities, particularly as related to the effects of colonization, and the loss of language and cultural resources in Indigenous culture. The Value of Comic Sans. Join artist Sonny Assu, Wanda Nanibush, Associate Curator, Indigenous Art and Audrey Hudson, Associate Curator, Schools & Early Childhood Programs, as they speak about the teacher resource for Sonny Assu painting, Re-Invaders: Digital Intervention on … askART, an artist directory with millions of worldwide artists' paintings and art - Auction records and results, artwork prices, valuations, signatures, images and artist biographies. PUBLISHED: April 2018; SUBJECT LISTING: Art History / Native American and Indigenous Art, Native American and Indigenous Studies; BIBLIOGRAPHIC INFORMATION: 192 Pages, 8.5 x 10 in, 120 color illus. While he hasn’t (to my knowledge) produced any Star Wars inspired artwork, he is yet another contemporary Native artist who is interpreting formline design in new ways. He graduated from Emily Carr University (2002) and was the recipient of their distinguished alumni award in 2006. He received the BC Creative Achievement Award in First Nations art in 2011 and was long-listed for the Sobey Art Award in 2012, 2013 and 2015. Later in life, this discovery would be the conceptual focal point of his contemporary art practice. Having grown tired of the isolation of the area and the ridiculousness of the over-inflated housing market, Assu and his family moved “home” to unceded Liǥwildaʼx̱w territory (Campbell River, BC.). Sonny Assu was born in 1975. Consider the value of contemporary Native art through the perspective of Seattle-based artist, curator, educator, and writer, C. Davida Ingram. The Artist. Assu graduated from Emily Carr University (2002) and was the recipient of their distinguished alumni award in 2006. Shop affordable wall art to hang in dorms, bedrooms, offices, or anywhere blank walls aren't welcome. A stunning retrospective highlighting the playfulness, power, and subversive spirit of Northwest Coast Indigenous artist Sonny Assu. Sonny’s work utilises both pop art and traditional North West coast practices to interrogate cultural identity and western constructions of indigenous culture. Select Exhibitions. 5826 St-Hubert. Sonny Assu: A Selective History; Public Art; Reconciliation; TAG; Indigenous Trail ; Spirit Bear/Spirit Eagle "Research" Project; Indians In Space; Biography; Curriculum Vitae; Video; 1UP; Artist Talk at Emily Carr 2013; My Wealth Is Your Knowledge. Sonny and project team members view a Chilkat robe in the collection of the Sainsbury Centre for Visual Art. Sonny Assu - Artist, Campbell River, BC. Sonny Assu (Ligwilda’xw of the Kwakwaka’wakw Nations) has been recognized for his mashups of Indigenous iconography and popular culture. – Barbara Brotherton, Curator of Native American Art Image: Photo: Ben Benschneider. Originally from British Columbia, the impossibly tall man with a boyish face that belies his actual age uprooted his entire life and moved to Montreal a little more than a year ago. First Nation Canadian artist Sonny Assu completed Dance as Though the Ancestors are Watching as part of his residency at the University of East Anglia. Assu graduated from Emily Carr University in 2002 and was the recipient of their distinguished alumni award in 2006. Assu will continue these dialogues at the Vancouver Art Gallery’s We Come to Witness: Sonny Assu in Dialogue with Emily Carr, a showcase of his work on display from Dec. 3 to April 23. Sonny Assu was raised in North Delta, BC, over 250 km away from his home ancestral home on Vancouver Island. The impetus behind my work is to bring to light the dark, hidden history of Canada's actions/inactions against the Indigenous people. Sonny Assu was born in 1975 and was primarily inspired by the 1990s. This is in stark contrast to how western society views wealth. Available for sale from Art Mûr, Sonny Assu, Landline #1 (2020), Ink on Archival paper, 30 × 22 1/4 in By Sonny Assu. Vist the 2nd floor of the Bloor St. location in Toronto to view an installation by interdisciplinary artist Ready Player Two: Sonny Assu and Brendan Tang, organized and circulated by The Reach Gallery Museum, Abbotsford (2017), and touring to the Yukon Art Centre, Whitehorse (2018), Touchstones Nelson Museum of Art & History, (2018), Niagara Artists’ Centre, St.Catherines (2018), the Art Gallery of York University, Toronto (2019), and Illingworth Kerr Gallery, Calgary (2020). Through large-scale installation, sculpture, photography, printmaking, and painting, Sonny Assu merges the aesthetics of Indigenous iconography with a pop-art sensibility. Materials. Please contact us for more information on this artist or to view available works. The painting responds to a masterwork of the university’s art collection (housed in the Sainsbury Centre), a late-19thcentury ceremonial robe from the Chilkat Tlingit area of present-day British Columbia and South Alaska. The Away Team Beams Down to What Appears to Be an Uninhabited Planet, 2016. Sonny Assu is an interdisciplinary artist who resides in unceeded Liǥwildaʼx̱w territory. His attention-grabbing artwork juxtaposes two different histories into pieces that work on both a conceptual and aesthetic level. "For the people who practice the Potlatch, wealth is something one accumulated to give away. Right: Sonny Assu, The only thing more pathetic than Indians on TV is Indians watching Indians on TV, 2015, Art Mûr Archive . Sonny Assu, It was, like, a super long time ago that ppl were here, right?, 2014, Art Mûr Archive With Candice Hopkins, Marianne Nicolson, Richard Van Camp and Ellyn Walker. Sonny negotiates Western and Kwakwaka’wakw principles of art-making as a means of exploring his family history and the experiences of being an Indigenous person in the colonial state of Canada. A collective of artists working in the United Kingdom, who came to be known as the YBAs, or Young British Artists, defined the artistic culture of the 1990s. For June and July 2019 therefore, we are hosting First Nations artist Sonny Assu at the University of East Anglia. Auction Records. Within this, my work deals with the loss of language, loss of cultural resources and the effects of colonization upon the Indigenous people of North America. PUBLISHED: April 2018; SUBJECT LISTING: Art History / Native American and Indigenous Art, Native American and Indigenous Studies; BIBLIOGRAPHIC INFORMATION: 192 Pages, 8.5 x 10 in, 120 color illus. There is hope, if we rise, 2013: by Sonny Assu (Liǥwildaʼx̱w (We Wai Kai) of the Kwakwaka’wakw nations). I often infuse my work with wry humour in an attempt to foster a dialogue; to speak to the realities of being an Indigenous person in the colonial state of Canada. Having cut his teeth in Vancouver’s art scene, Assu packed up and moved to Montreal to be with the love of his life. Shop original Sonny Assu paintings from the world's best art galleries. Holly King: Edging Towards the Mysterious. To this end, Sonny will be running a series of interventions with the British public, including a welcome tea on 4 th July, a series of schools workshops and a public lecture on the 19 th July. With Candice Hopkins, Marianne Nicolson, Richard Van Camp and Ellyn Walker. “Landback” and “Look What I Columbused 2” are on their way to Andover Massachusetts. He recently won the Creative Achievement Award for Excellence in First Nations Art (2011) from the British Columbia Achievement Foundation and was longlisted for the 2012 Sobey Art Award. His art is shaped by his experience within the interstices of Aboriginal and popular Western cultures. Vancouver Art Gallery has announced significant recent acquisitions for its expanding collection, including artworks by Vancouver-based artists Geoffrey Farmer, Al McWilliams, Colleen Heslin, Sonny Assu and Kim Kennedy Austin, Los Angeles-based Mark Ruwedel, New York and Munich-based Barbara Probst, and Mumbai-based Reena Saini Kallat among many others. Sonny Assu is a mid-career contemporary visual artist, who was born in Canada, like other prominent artists such as Erin Shirreff, Paul P, Claire Milbrath, Jonathan Pylypchuk, and Nadine Faraj. Sonny Assu is a graduate of Emily Carr University of Art + Design. A multi-disciplinary artist, Assu merges Northwest Coast Aboriginal iconography with the aesthetics of popular culture to challenge social and historical values that we as a society face on a daily basis. I was invited to participate in OFFERINGS, a collaborative, performance based artwork by France Trépanier. He received the BC Creative Achievement Award in First Nations art in 2011 and was long-listed for the Sobey Art Award in 2012, 2013 and 2015. $34.95. New works out the studio door. Wayfinding presents new work by six artists—Sonny Assu, Andrea Chung, Liz Collins, Spencer Finch, Josh T. Franco, and Heidi Whitman—made in response to a two-year engagement with Phillips Academy’s Sidney R. Knafel Map Collection . Sonny Assu : A Selective History £ 30.00. Having been raised as you “everyday average suburban white-kid” it wasn’t until he was eight years old that he discovered his Kwakwaka’wakw heritage. Sonny Assu was raised in North Delta, BC, over 250 km away from his home ancestral home on Vancouver Island. Left: Sonny Assu, What a Great spot for a Walmart!, 2014, Art Mûr Archive. Having cut his teeth in Vancouver's art scene, Assu packed up and moved to Montreal to be with the love of his life. I also wanted to include an image of Sonny Assu ‘s work here. Assu is Liǥwildaʼx̱w (We Wai Kai) of the Kwakwaka’wakw nations. Available for sale from Art Mûr, Sonny Assu, Landline #15 (2020), Acrylic ink on stonehenge paper, 30 × 22 1/4 in Buy / Sell. Sonny’s first solo exhibit, Sonny Assu: As Defined Within the Indian Act, was held at the Belkin Satellite Gallery in Vancouver, in April 2006. 977 likes. Archival Paper, Digital. (Courtesy of Sonny Assu) His work has been featured in numerous solo and group exhibitions across Canada and the United States. The impetus behind my work is to bring to light the dark, hidden history of Canada’s actions/inactions against the Indigenous people. Art Mûr, Montreal (QC) Text by Amber Berson. Available for sale from Art Mûr, Sonny Assu, Landline #7 (2020), Ink on Archival paper, 30 × 22 1/4 in The Hupacasath First Nation is based in Alberni Valley, on the west coast of Vancouver Island. Sonny Assu (Ligwilda’xw of the Kwakwaka'wakw Nations) has been recognized for his mashups of Indigenous iconography and popular culture. Later in life, this discovery would be the conceptual focal point of his contemporary art practice. First Nation Canadian artist Sonny Assu completed Dance as Though the Ancestors are Watching as part of his residency at the University of East Anglia. “It’s easiest for people to pigeonhole myself or other indigenous artists as First Nations or ‘other’ artists,” he says. Unique Asus Posters designed and sold by artists. “I think the value of Sonny Assu’s piece, Breakfast Series in SAM’s permanent collection, has a lot to do with righting the wrongs of history.” – C. Davida Ingram. You can find out more about her project here. Sonny Assu: Interventions On The Imaginary. Sonny Assu reacts to the above through work that critiques the generalizations necessary for a far-reaching and global structure of network access, dictated by an in-the-know quest for individualization and personalization. Sonny Assu. 514 933-0711 . 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Available for sale from Art Mûr, Sonny Assu, Landline #1 (2020), Ink on Archival paper, 30 × 22 1/4 in Sonny Assu’s artwork is aesthetically driven by a colonial-resistant visual language, derived from Kwakwaka’wakw knowledge, that speaks to the collapsing of time — past, present, and future — apparent in Indigenous epistemological productions such as art. Regarded as a 'Vanguard' for his piece in the Vancouver Art Gallery's exhibit, “How Soon Is Now?”, Sonny Assu continues to push the boundaries of contemporary art by challenging the perception of Aboriginal art. An extraordinary retrospective of Northwest Coast Indigenous artist Sonny Assu. sonny assu Click here to view artist portfolio ‘Consumerism, branding, and technology are new modes of totemic representation,’ writes Sonny Assu, whose art elides Kwakwa̱ka̱’wakwak and Pop Art practices, challenging both corporate and nation-state colonialism. Assu graduated from Emily Carr University (2002) and was the recipient of their distinguished alumni award in 2006. © 2020 Equinox Gallery. By Sonny Assu. Sonny Assu A Selective History. Sonny Assu, a member of the Liǥwildaʼx̱w of the Kwakwaka’wakw nations, uses humour to unsettle dominant cultural expectations of indigenous art while playing with ideas of brand loyalty, consumerism, ready-mades and pop-culture. Sonny Assu (Ligwilda’xw of the Kwakwaka’wakw Nations) has been recognized for his mashups of Indigenous iconography and popular culture. Sonny Assu has been interested in the concept of territory for a long time. Five years later, along with his wife and beautiful daughter, Sonny moved back to BC, eventually settling back "home" in unceded Liǥwildaʼx̱w territory (Campbell River, BC.). Open Space presents Awakening Memory, an exhibition featuring new artworks by Sonny Assu, lessLIE, and Marianne Nicolson. Sonny Assu A Selective History. Sonny Assu merges the aesthetics of Indigenous iconography with a pop-art sensibility. Abstract "A stunning retrospective highlighting the playfulness, power, and subversive spirit of Northwest Coast Indigenous artist Sonny Assu. Sonny Assu focuses on the contrast of First Nations and Western European worldviews. Having cut his teeth in Vancouver's art scene, Assu packed up and moved to Montreal to be with the love of his life. Sonny Assu focuses on the contrast of First Nations and Western European worldviews. SONNY ASSU LANDLINE #16, 2020 nautical chart, acrylic ink on Stonehenge paper signed, titled and dated 30 ins x 22 ins 76.2 cms x 55.9 cms Provenance: Courtesy of the artist and Equinox Gallery (Vancouver) Art Mur (Montreal) Sonny Assu's Landlines is a painting and collage series that sees nautical charts paired with Kwakwaka'wakw formline. Sonny Assu was born in 1975 and was primarily inspired by the 1990s. When I asked him where the Imaginary Lines project was born, he answered me with this reference from the Hupacasath First Nation. He addresses the ways in which traditions of the past have come to inform contemporary ideas and identities, particularly as related to the effects of colonization, and the loss of language and cultural resources in Indigenous culture. A Selective History documents key installations and artworks from Sonny Assu’s already prolific career as a light-hearted badass, one who doesn’t blink an eye at “defacing” some of Canada’s most treasured artworks.. His futuristic digital intervention What a Great spot for a Walmart! Assu is a Status Card–carrying Northwest Coast Indian and his perspectives … ISBN: 9780295742113 ; FORMAT: Paperback. Sonny is a prominent and successful artist from We Wai Kai First Nation, which is a Ligwiłda’xw/ Kwakwaka’wakw community located … ... Art Mûr Montréal. The exhibition is … Tuesday – Saturday 10am to 5pm No Appointment Necessary Closed Sundays & Mondays, 3642 Commercial Street Vancouver BC V5N 4G2. He received the BC Creative Achievement Award in First Nations art in 2011 and was long-listed for the Sobey Art Award in 2012, 2013 and 2015. Affiliated loosely by their age and nationality, they were a varied collective of practitioners. It garnered him considerable attention and landed him a partnership with the Equinox Gallery in the fall of 2006. 21st Century and Contemporary Abstract Sonny Assu Art. Sonny Assu, visual artist Interesting circumstances have brought interdisciplinary artist Sonny Assu to Montreal. I often infuse my work with wry humour in an attempt to foster a dialogue; to speak to the realities of being an Indigenous person in the colonial state of Canada. His work has been accepted into the National Gallery of Canada, Seattle Art Museum, Vancouver Art Gallery, Museum of Anthropology at UBC, Burke Museum at the University of Washington, Art Gallery of Greater Victoria, Hydro Quebec, Lotto Quebec and in various other public and private collections across Canada, the United States and the UK. Sonny Assu: Études for the Settler is organized in partnership with yəhaw ... Later in life, this discovery would be the conceptual focal point that helped launch his unique art practice. Five years later, along with his wife and beautiful daughter, Sonny moved back to BC, settling in Surrey’s Crescent Park. By Sonny Assu, Candice Hopkins, Marianne Nicolson, Janet Rogers, Richard Van Camp and Ellyn Walker. Sonny Assu's exhibit, We Come to Witness: Sonny Assu in Dialogue with Emily Carr, runs till April 23, 2017 at the Vancouver Art Gallery. Through museum interventions, large-scale installations, sculpture, photography, printmaking and paintings, Sonny Assu merges the aesthetics of Northwest Coast Indigenous iconography with a pop art sensibility in an effort to address contemporary, political and ideological issues. Available for sale from Art Mûr, Sonny Assu, Landline #8 (2020), Acrylic ink on stonehenge paper, 30 × 22 1/4 in All rights reserved. His art is shaped by his experience within the interstices of Aboriginal and popular Western cultures. Located in Montreal, Quebec. View Full Details. Global shipping available. His attention-grabbing artwork juxtaposes two different histories into pieces that work on both conceptual. ) and was the recipient of their distinguished alumni award in 2006 is bring! 5Pm No Appointment Necessary Closed Sundays & Mondays, 3642 Commercial Street Vancouver BC V5N 4G2 i invited! June and July 2019 therefore, We are hosting First Nations and Western European worldviews on way! 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